MAISON DE PHILIPPE
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In a tailoring atelier, a jacket on the dress form examined from behind, patterns on the cutting table
Paris · Nice · Saint-Tropez

A House, Reconsidered.

Rooted in the spirit of French ready-to-wear, Maison de Philippe explores the places, objects, and craftsmanship that inform a contemporary way of living. An editorial world connected to the revival of Philippe Salvet.

The Original House
The Baie des Anges at Nice, seen from the castle hill
Heritage · The Original House

A name with a documented past

Philippe Salvet was a French fashion figure whose work was associated with Paris, Nice and Saint-Tropez during the mid-to-late twentieth century, and with ready-to-wear on the Côte d’Azur. A pair of his corsair trousers, dated to about 1972, is held by the Palais Galliera in Paris. The woven label reads Nice – St-Tropez, made in France, 100% cotton, dyed by hand. The Original House sets out what the record documents, and where the record ends.

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The Contemporary Maison · Places

Napa Valley, slowly

All places
Vineyard rows in Rutherford at sunrise, fog on the valley floor
Wine Country · California

Harvest begins before the light does.

In late September the pickers are in the rows by five, headlamps moving through the fog. By nine the valley smells of crushed fruit and woodsmoke, and the restaurants in Yountville are setting tables for a lunch that will run long. Napa rewards the unhurried. Arrive on a Tuesday. Book the small rooms, not the large ones. Ask for the second pressing.

Explore destinations
The Lange 1 movement, hand-finished in Glashütte
The Considered Object

Lange 1, examined

Every Lange is assembled, regulated, then taken apart and assembled again. The calibre L121.1 sits under a three-quarter plate in German silver, the balance cock is engraved by one hand, and the off-centre dial has not changed since 1994 because it did not need to. At 38.5 millimetres it sits under a cuff without announcing itself. This is the recurring examination of one object, taken on its construction, its materials and its history.

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Objects

Also of note

All objects
A rangefinder camera in olive, resting on a map

M11-P Safari

Leica

No red dot, no name on the front, no screen worth mentioning. Film habits, digital patience.

A full-grain leather weekender on a workbench

Weekender, full leather

Moynat

Full hide, hand-stitched, no canvas pattern and nothing printed on the surface. Recognised by the cut alone.

Folded cashmere knitwear in natural tones

Roll-neck, baby cashmere

Loro Piana

Undyed ecru, knitted fine enough to fold into a coat pocket. No label faces outward.

The Maker

Three fittings, one suit, ten years

A first commission at a London tailor takes three fittings and about ten weeks. The cloth is cut by hand, the shoulder is set by eye, and the result carries no visible name at all. The Maker is the Maison's recurring profile of the workshops behind the things in these pages: the people, the benches, the methods that have not changed because they work.

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In a tailoring atelier, a jacket on the dress form examined from behind, patterns on the cutting table
The Atelier

Philippe Salvet represents the clothing and the collections. Maison de Philippe represents the cultural world surrounding the house. In The Atelier, that world is traced into cloth: garment construction, fabrics, tailoring, and the design philosophy of the original era interpreted for contemporary European tailoring.

Editorial note. Maison de Philippe is the editorial world connected to the revival of Philippe Salvet. Coverage of the fashion house in these pages is identified as such.

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Sailing in northern waters under a low sun
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The Letter

Occasional notes on places, objects, and things worth knowing.